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Class : A Guide Through the American Status System

(01 October 1992)

X Abstract

<P>In <I>Class</I> Paul Fussell explodes the sacred American myth of social equality with eagle-eyed irreverence and iconoclastic wit. This bestselling, superbly researched, exquisitely observed guide to the signs, symbols, and customs of the American class system is always outrageously on the mark as Fussell shows us how our status is revealed by everything we do, say, and own. He describes the houses, objects, artifacts, speech, clothing styles, and intellectual proclivities of American classes from the top to the bottom and everybody -- you'll surely recognize yourself -- in between. <I>Class</I> is guaranteed to amuse and infuriate, whether your class is so high it's out of sight (literally) or you are, alas, a sinking victim of prole drift.<P>

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This article has been bookmarked 2 times, initially on 2006-02-06.

2008-12-16 User shae2lynn
2006-02-06 User waxd01 , 1 note

Not that the three classes at the top don't have money. The point is that money alone doesn't define them, for the way they have their money is largely what matters. That is, as a class indicator the amount of money is less significant than the source. The main thing distinguishing the top three classes from each other is the amount of money inherited in relation to the amount currently earned. The top-out-of-sight class (Rockefellers, Pews, DuPonts, Mellons, Fords, Vanderbilts) lives on inherited capital entirely. No one whose money, no matter how copious, comes from his own work -- film stars are an example -- can be a member of the top-out-of-sight class, even if the size of his income and the extravagance of his expenditure permit him to simulate identity with it. Inheritance -- "old money" in the vulgar phrase -- is the indispensable principle defining the top three classes, and it's best if the money's been in the family for three or four generations. (p. 29)

2006-02-06 03:26:52
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