Contemporary Music Review Export

Articles from the last few issues of Contemporary Music Review © Routledge, part of the Taylor & Francis Group

	Generative Music Editorial [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 1-4. by Nick Collins, Andrew Brown
	An Introduction to Procedural Music in Video Games [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 5-15. by Karen Collins
	Interacting with Generative Music through Live Coding [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 17-29. by Andrew Brown, Andrew Sorensen
	Split Levels: Symbolic to Sub-symbolic Interactive Music Systems [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 31-42. by Robert Rowe
	Thoughts on Creative Evolution: A Meta-generative Approach to Composition [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 43-55. by Palle Dahlstedt
	Generative Techniques in Hypermedia Performance [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 57-73. by Margaret Schedel, Alison Rootberg
	Composing Sound Structures with Rules [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 75-87. by Paul Berg
	Tools to Fight Boredom: FLOSS and GNU/Linux for Artists Working in the Field of Generative Music and Software Art [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 89-101. by Marloes de Valk
	Musical Form and Algorithmic Composition [My Copy] Contemporary Music Review, Vol. 28, No. 1., pp. 103-114. by Nick Collins
	Preface: Music of Nicolaus A. Huber and Mathias Spahlinger [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 561-563. by Philipp Blume
	Critical Composition [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 565-568. by Nicolaus Huber
	Translation of Huber's Essay 'Konzeptionelle Rhythmuskomposition' on Conceptional Rhythm Composition [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 569-577. by Nicolaus Huber
	this is the time of conceptive ideologues no longer [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 579-594. by Mathias Spahlinger
	Aspect and Ascription in the Music of Mathias Spahlinger [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 595-609. by Brian Kane
	Concertare Means Reaching an Agreement: On Mathias Spahlinger's 'Piano Concerto' inter-mezzo (1986) [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 611-623. by Dorothea Schule
	Mathias Spahlinger's 128 erfullte augenblicke and the Parameters of Listening [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 625-642. by Philipp Blume
	Nicolaus A. Huber: 'An Holderlins Umnachtung' [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 643-653. by Cornelius Schwehr
	The Height of the Breadth: Pop Culture Infiltrations in the Music of Nicolaus A. Huber [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 655-664. by Hannes Seidl
	The Rest is HistoryMathias Spahlinger and Hans Heinrich Eggebrecht on Utopia in New Music [My Copy] Contemporary Music Review, Vol. 27, No. 6., pp. 665-672. by Petra Music
	Ralph Shapey's Apprenticeship with Stefan Wolpe [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 389-405. by Clarkson, Austin
	Shapey: In His Own Voice [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 407-432. by Baron, Carol
	Opposites Interact: Motivic Organization in Shapey's Clarinet Concerto [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 433-449. by Rogers, Lynne
	Ralph Shapey and the Search for a New Concept of Musical Continuity, 1954-1958 [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 451-476. by Wiener, Barry
	Montage and Block Form in Ralph Shapey's Seven for Two Pianos [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 477-487. by Satyendra, Ramon
	How to Be; What to Do: Character and Action in Ralph Shapey's String Quartet No. 6 [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 489-509. by Mead, Andrew
	The 'Mother Lode', the Gottlieb Duo, and Ralph Shapey's Compositional Strategy in the Early 1980s [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 511-529. by Kaplan, Amelia
	The Fragments of Redemption: Utopian Dimensions in the Music of Ralph Shapey [My Copy] Contemporary Music Review, Vol. 27, No. 4-5. (August 2008), pp. 531-557. by Abbinanti, Frank
	Foreword [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 165-169. by Clarkson, Austin posted by 1 person macselva
	What is Film Music? [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 171-177. by Shin, Hyesu
	What is Jewish Music? [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 179-192. by Clarkson, Austin
	The Frances Parker Lecture [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 193-200. by Wolpe, Stefan
	Remarks before Concerts [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 201-204. by Wolpe, Stefan
	'Where to Act, How to Move': Unruly Action in Late Wolpe [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 205-225. by Brody, Martin
	Friedl Dicker and Stefan Wolpe: Portrait of a Friendship [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 227-231. by Zimmermann, Heidy
	Olga Okuniewska Wolpe, 1902 - 1985 [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 233-237. by Clarkson, Austin
	Schone Geschichten and Zeus und Elida: Wolpe's Chamber Operas [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 239-249. by Phleps, Thomas
	Zeus und Elida: Wolpe's Kunstjazz Opera [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 251-269. by Clarkson, Austin, Shin, Hyesu
	Folk Song versus High Modernism: Stefan Wolpe's Song of Songs Settings in the Context of the 'New Palestine' [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 271-288. by Zimmermann, Heidy
	Musical Freefall: Projecting the Time-Space of Wolpe's Battle Piece [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 289-303. by Holzman, David
	Itinerant Atonality: Stefan Wolpe's Middle Period Work [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 305-322. by Powell, Larson
	Boundary Situations: Translation and Agency in Wolpe's Modernism [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 323-341. by Cohen, Brigid
	Debussy, Wolpe and Dialectical Form [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 343-359. by Greenbaum, Matthew
	Wolpe, Varese and the Busoni Effect [My Copy] Contemporary Music Review, Vol. 27, No. 2-3. (April 2008), pp. 361-381. by Clarkson, Austin
	Introduction: 'Sound for the Sake of Perceptual Insight' [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 1-5. by Hasegawa, Robert
	James Tenney and the Poetics of Homage [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 7-21. by Gilmore, Bob
	Theoretical and formal continuity in James Tenney's music [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 23-45. by Belet, Brian
	On 'Crystal Growth' in harmonic space (1993 - 1998) [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 47-56. by Tenney, James
	Three crystal growth algorithms in 23-limit constrained harmonic space [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 57-78. by Sabat, Marc, Tenney, James
	Interview with James Tenney [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 79-89. by Dennehy, Donnacha
	The spectral music of James Tenney [My Copy] Contemporary Music Review, Vol. 27, No. 1. (February 2008), pp. 91-130. by Wannamaker, Robert

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