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<pubDate>Thu, 24 Jul 2008 23:19:51 BST</pubDate>


	<title>CiteULike: Tag amateur</title>
	<description>CiteULike: Tag amateur</description>


	<link>http://www.citeulike.org/tag/amateur</link>
	<dc:publisher>CiteULike.org</dc:publisher>
	<dc:language>en-gb</dc:language>
	<dc:rights>Copyright &#169; 2004-2008 citeulike.org</dc:rights>
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        <rdf:li rdf:resource="http://www.citeulike.org/user/lijil/article/2282474"/>
        <rdf:li rdf:resource="http://www.citeulike.org/user/jannon/article/2090785"/>
        <rdf:li rdf:resource="http://www.citeulike.org/user/dullhunk/article/1842661"/>
        <rdf:li rdf:resource="http://www.citeulike.org/user/annedemoulin/article/1885044"/>

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<item rdf:about="http://www.citeulike.org/user/lijil/article/2282474">
    <title>Photo albums: Images of time and reflections of self</title>
    <link>http://www.citeulike.org/user/lijil/article/2282474</link>
    <description>&lt;i&gt;Qualitative Sociology, Vol. 12, No. 2. (1 June 1989), pp. 155-182.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;The advent of popular photography has allowed ordinary people to visually record their view of themselves and the passage of their lives. Photographs not only record events but also allow the maker to group them for presentation in a structured manner comparable to verbal narratives, most commonly in photo albums. We examined more than forty albums created by amateur photographers in order to investigate the psychological and social functions of photo albums and their value to scholars as documentations of social life. Albums are intensely personal; they create a relationship between the presenter and the viewer; the audience is small; the possessor plays an active role in the album's presentation; and there is an accompanying verbal narrative. This narrative is crucial to the understanding of the album. This paper explores the structure of these narratives and their role in creating the meaning of the album. In the absence of a possessor/presenter, a narrative can be constructed by determining the type of album being examined and establishing the personal relationships and themes within the album. We suggest devices and procedures for reconstruction of such a narrative in the absence of a presenter.</description>
    <dc:title>Photo albums: Images of time and reflections of self</dc:title>

    <dc:creator>Andrew Walker</dc:creator>
    <dc:identifier>doi:10.1007/BF00988996</dc:identifier>
    <dc:source>Qualitative Sociology, Vol. 12, No. 2. (1 June 1989), pp. 155-182.</dc:source>
    <dc:date>2008-01-23T23:33:49-00:00</dc:date>
    <prism:publicationYear>1989</prism:publicationYear>
    <prism:publicationName>Qualitative Sociology</prism:publicationName>
    <prism:volume>12</prism:volume>
    <prism:number>2</prism:number>
    <prism:startingPage>155</prism:startingPage>
    <prism:endingPage>182</prism:endingPage>
    <prism:category>amateur</prism:category>
    <prism:category>history</prism:category>
    <prism:category>photography</prism:category>
    <prism:category>quotidian</prism:category>
    <prism:category>self-portrait</prism:category>
</item>



<item rdf:about="http://www.citeulike.org/user/jannon/article/2090785">
    <title>A. E. Gallatin's Gallery and Museum of Living Art (1927-1943)</title>
    <link>http://www.citeulike.org/user/jannon/article/2090785</link>
    <description>&lt;i&gt;American Art, Vol. 7, No. 2. (1993), pp. 46-63.&lt;/i&gt;</description>
    <dc:title>A. E. Gallatin's Gallery and Museum of Living Art (1927-1943)</dc:title>

    <dc:creator>Gail Stavitsky</dc:creator>
    <dc:source>American Art, Vol. 7, No. 2. (1993), pp. 46-63.</dc:source>
    <dc:date>2007-12-11T17:13:22-00:00</dc:date>
    <prism:publicationYear>1993</prism:publicationYear>
    <prism:publicationName>American Art</prism:publicationName>
    <prism:volume>7</prism:volume>
    <prism:number>2</prism:number>
    <prism:startingPage>46</prism:startingPage>
    <prism:endingPage>63</prism:endingPage>
    <prism:category>1920s</prism:category>
    <prism:category>1930s</prism:category>
    <prism:category>1940s</prism:category>
    <prism:category>aesthetics</prism:category>
    <prism:category>amateur</prism:category>
    <prism:category>american</prism:category>
    <prism:category>art</prism:category>
    <prism:category>cities</prism:category>
    <prism:category>collectors</prism:category>
    <prism:category>gallery</prism:category>
    <prism:category>history</prism:category>
    <prism:category>modern</prism:category>
    <prism:category>modernart</prism:category>
    <prism:category>museum</prism:category>
    <prism:category>museumoflivingart</prism:category>
    <prism:category>newyork</prism:category>
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<item rdf:about="http://www.citeulike.org/user/dullhunk/article/1842661">
    <title>The Cult of the Amateur: How Today's Internet Is Killing Our Culture and Assaulting Our Economy</title>
    <link>http://www.citeulike.org/user/dullhunk/article/1842661</link>
    <description>&lt;i&gt;(05 June 2007)&lt;/i&gt;</description>
    <dc:title>The Cult of the Amateur: How Today's Internet Is Killing Our Culture and Assaulting Our Economy</dc:title>

    <dc:creator>Andrew Keen</dc:creator>
    <dc:source>(05 June 2007)</dc:source>
    <dc:date>2007-10-30T16:19:10-00:00</dc:date>
    <prism:publicationYear>2007</prism:publicationYear>
    <prism:publisher>Nicholas Brealey Publishing</prism:publisher>
    <prism:category>amateur</prism:category>
    <prism:category>bullshit</prism:category>
    <prism:category>webolution</prism:category>
</item>



<item rdf:about="http://www.citeulike.org/user/annedemoulin/article/1885044">
    <title>Figures de l'amateur : formes, objets, pratiques de l'amour de la musique aujourd'hui</title>
    <link>http://www.citeulike.org/user/annedemoulin/article/1885044</link>
    <description>&lt;i&gt;(01 December 2000)&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Présentation de l'éditeur QU'est-ce qu'un amateur de musique classique ? Comment vit-il sa passion ? De quels dispositifs s'entoure-t-il pour la provoquer et l'atteindre ? Quelle est sa place dans le développement moderne de la musique ? Voilà les questions que les auteurs de ce livre mettent au centre de leurs recherches et de leurs réflexions. A travers une minutieuse enquête de terrain et au moyen d'hypothèses de travail aussi audacieuses que solidement étayées, c'est à une vaste révision de nos conceptions classiques qu'ils nous invitent. Leur recherche est une traversée. Des idées de la sociologie classiques à celles de l'esthétique, de l'histoire de la musique aux notions spontanées sur l'amateur, elle brasse et réorganise tout notre paysage intellectuel pour parvenir au cœur de son objectif : décrire l'amateur et sa passion, non pas comme la marge naïve du monde musical, mais comme son centre de gravité moderne et le principe même de son évolution aujourd'hui.</description>
    <dc:title>Figures de l'amateur : formes, objets, pratiques de l'amour de la musique aujourd'hui</dc:title>

    <dc:creator>Sophie Maisonneuve</dc:creator>
    <dc:creator>Antoine Hennion</dc:creator>
    <dc:creator>Emilie Gomart</dc:creator>
    <dc:source>(01 December 2000)</dc:source>
    <dc:date>2007-11-08T15:05:25-00:00</dc:date>
    <prism:publicationYear>2000</prism:publicationYear>
    <prism:publisher>La Documentation française</prism:publisher>
    <prism:category>amateur</prism:category>
    <prism:category>art</prism:category>
    <prism:category>musique</prism:category>
    <prism:category>sciences_humaines</prism:category>
    <prism:category>sociologie</prism:category>
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