Tag cinema [145 articles] Export

Recent papers classified by the tag cinema.

	True Lies: Changing Images of Crime in British Postwar Cinema [My Copy] European Journal of Communication, Vol. 13, No. 1. (1 March 1998), pp. 53-75. by Jessica Allen, Sonia Livingstone, Robert Reiner posted to image culture crime cinema 1950 by haelstaed on 2009-11-24 08:27:34 as
	The Will to Motorization: Cinema, Highways, and Modernity: For Wolf Donner, in Memoriam [My Copy] October, Vol. 73 (1995), pp. 91-137. by Edward Dimendberg posted to will velocity transit the_cinematic subjectivity speed perception motors motorizations modernity infrastructure history highways driving cinema art architecture by jannon on 2009-11-14 06:42:32 as
	Beyond Messter: Aspects of Early Cinema in Berlin [My Copy] Film History, Vol. 10, No. 1. (1998), pp. 52-69. by Deac Rossell posted to places history germany film early_cinema cities cinema berlin 20thcentury by jannon on 2009-10-23 02:24:27 as along with 1 person londonpepys
	At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. [My Copy] GeoJournal, Vol. 59, No. 4. (27 April 2004), pp. 323-333. by Heather Nicholson posted to visualization visual vacation travel tourism the_cinematic status spectator regional race perceptions middle_class mediterranean manchester leisure kodak home_movies holidays history gender filmmaking film_societies film_archives consumption colonialism class cinematography cinema british amateur_filmmaking amateur_film amateur 1960s 1950 1940s 1930s 1920s by jannon on 2009-10-14 22:41:06 as along with 1 person Orockwell
	The Function of Music in Sound Film [My Copy] The Musical Quarterly, Vol. 27, No. 2. (1941), pp. 146-164. by Marian H. Winter posted to the_cinematic sound narrative music function film cinema art aesthetics by jannon on 2009-10-14 21:20:37 as along with 1 person Orockwell
	From Third Worldism to Empire: Jean-Luc Godard and the Palestine Question [My Copy] Third Text, Vol. 23, No. 5. (2009), pp. 649-656. by Irmgard Emmelhainz posted to middleesast got cinema by mind2gap on 2009-10-12 10:06:03 as
	Photography, cinema and medium as social practice [My Copy] Visual Studies, Vol. 24, No. 2. (2009), pp. 132-142. by David Green, Joanna Lowry posted to practice photography opensta cinema by mind2gap on 2009-10-12 09:47:19 as
	The Search for 'Real' Form [My Copy] Leonardo, Vol. 22, No. 1. (1989), pp. 39-46. by Aldo d'Angelo posted to visualization video topology time systems still_lifes space shape science representation recombinant realness realism processing photography patterns outline organisms optics nature natural morphology morphogenesis models modelling modeling mathematics living life knowledge internal imaging images graphics form evolution elaboration dimension concepts computers color cinema biology biological beings being by jannon on 2009-10-01 22:46:46 as
	American Film Violence: An Analytic Portrait [My Copy] J Interpers Violence, Vol. 17, No. 4. (1 April 2002), pp. 351-370. by Nick Browne, Theresa Webb, Kevin Fisher, et al.Bernard Cook, David Mcarthur, Corinne Peek-Asa, Jess Kraus posted to violence tv movie genre film cinema american_film by haelstaed on 2009-09-03 14:14:42 as
	Not the obstacle but the means: Film history and the postmodern challenge [My Copy] Rethinking History: The Journal of Theory and Practice, Vol. 13, No. 3. (2009), pp. 371-394. by Erlend Lavik posted to modernity history got cinema by ITS4ME on 2009-08-21 16:44:02 as along with 1 person rgscarter
	Imaginative instruction: what master storytellers can teach instructional designers [My Copy] Educational Media International, Vol. 46, No. 2. (2009), pp. 111-122. by Jason K. Mcdonald posted to storytelling narrative instructional_design imagination filmmaking cinema by rickl on 2009-08-21 01:10:56 as
	A Graft, Physiological and Philosophical: Jean-Luc Nancy's <i>L'Intrus</i> [My Copy] Parallax, Vol. 15, No. 2. (2009), pp. 83-96. by Stefanos Geroulanos, Todd Meyers posted to philosophy nancy got cinema by mind2gap on 2009-08-18 09:30:29 as
	Descartes' Kinematics [My Copy] Parallax, Vol. 15, No. 2. (2009), pp. 69-82. by Gary Banham posted to got cinema by mind2gap on 2009-08-18 09:30:11 as
	JR cinéphile, or the philosopher who loved things [My Copy] Parallax, Vol. 15, No. 3. (2009), pp. 81-87. by Adrian Rifkin posted to ranciere philosophy opensta cinema by mind2gap on 2009-08-18 08:51:52 as
	Both Sides of the Camera: Roscoe Fatty Arbuckle's Evolution at Keystone [My Copy] Quarterly Review of Film and Video, Vol. 26, No. 4. (2009), pp. 339-352. by Joanna Rapf posted to got cinema by ITS4ME on 2009-08-08 07:39:04 as
	Cinematic paradigms for hypertext [My Copy] Continuum: Journal of Media & Cultural Studies, Vol. 13, No. 2. (1999), pp. 217-225. by Adrian Miles posted to cinema hypertext by rickl on 2009-07-23 11:41:52 as
	Blue Skies: A History of Cable Television [My Copy] (28 January 2008) by Patrick R. Parsons posted to cable cinema history home_video neoliberal phd_exams television hbo by randomaxes on 2009-07-16 15:42:37 as
	Toward a Phenomenology of Emotion in Film: Michael Brynntrup and The Face of Gay Shame [My Copy] MLN, Vol. 124, No. 3. (2009), pp. 683-707. by Randall Halle posted to cinema emotion phenomenology by rhizome on 2009-07-08 03:32:45 as
	Film Structure and the Emotion System [My Copy] (13 October 2003) by Greg M. Smith posted to cinema emotion greg_smith by rhizome on 2009-07-08 03:24:40 as
	Music video, songs, sound: experience, technique and emotion in Eternal Sunshine of the Spotless Mind [My Copy] Screen, Vol. 49, No. 3. (1 September 2008), pp. 277-297. by Carol Vernallis posted to cinema sound-design by rhizome on 2009-07-08 03:13:37 as
	'The DVD of Attractions'?: The Lion King and the Digital Theme Park [My Copy] Convergence, Vol. 13, No. 2. (1 May 2007), pp. 169-183. by Tom Brown posted to cinema tom_gunning by rhizome on 2009-07-08 03:11:28 as
	Seeing is believing: the ideology of naturalism [My Copy] Media Culture Society, Vol. 5, No. 2. (1 April 1983), pp. 213-220. by Richard Collins posted to cinema verite by lfbcampos on 2009-07-03 06:43:14 as
	Pupil Evaluation of Sound-Film Components [My Copy] The Elementary School Journal, Vol. 40, No. 7. (1 March 1940), 507. by H. A. Gray posted to cinema emotion_responses by klaasu on 2009-07-01 10:45:56 as
	Theory of Film [My Copy] (24 November 1997) by Siegfried Kracauer posted to cinema theoty by ronit999 on 2009-05-31 18:54:58 as along with 5 people chunjean jenghola mattock1138 randomaxes cannedAir
	THE LANGUAGE OF DYNAMIC MEDIA: WORKS FROM THE DYNAMIC MEDIA INSTITUTE AT THE MASSACHUSETTS COLLEGE OF ART [My Copy] (01 January 2005) by Curator K. Jan posted to art cinema complexity design digital media newmedia perfomance processing research technology theory visualization by pacianca3 on 2009-05-31 08:02:15 as
	Public Intimacy: Architecture and the Visual Arts (Writing Architecture) [My Copy] (30 April 2007) by Giuliana Bruno posted to body cinema emotional ergonomy history social visualization by pacianca3 on 2009-05-31 02:43:46 as
	The Art of the Fieldwork Movie: 35 Years of Making Ethnomusicological Films [My Copy] Ethnomusicology Forum, Vol. 18, No. 1. (2009), pp. 55-64. by John Baily posted to modernity history got documentary diaspora colonialism cinema by ITS4ME on 2009-05-25 13:31:26 as
	The drama of the digital: D.N. Rodowick, Garrett Stewart, and narrative cinema [My Copy] New Review of Film and Television Studies, Vol. 7, No. 2. (2009), pp. 225-236. by William Brown posted to review opensta film digital cinema by mind2gap on 2009-05-20 14:43:51 as
	Badjao: Cinematic Representations of Difference in the Philippines [My Copy] Journal of Southeast Asian Studies, Vol. 36, No. 02. (2005), pp. 281-312. by Aileen Toohey posted to 320 cinema film geographyandart geographyandfilm by josiasporter on 2009-05-12 19:49:06 as
	The Concept of National Cinema [My Copy] Screen, Vol. 30, No. 4. (1 December 1989), pp. 36-47. by Andrew Higson posted to cinema got politics by ITS4ME on 2009-05-08 09:28:45 as
	World without Strangers: The Poetics of Coincidence in Pedro Almodovar's Talk to Her [My Copy] Camera Obscura, Vol. 23, No. 2_68. (1 January 2008), pp. 1-39. by Despina Kakoudaki posted to cinema by librarian99 on 2009-04-30 16:41:07 as
	Gerald Vizenor and "Harold of Orange": from Word Cinemas to Real Cinema [My Copy] American Indian Quarterly, Vol. 9, No. 1. (1985), pp. 5-21. by Robert Silberman posted to cinema by librarian99 on 2009-04-30 16:20:48 as
	<i>Screening the Past: Memory and Nostalgia in Cinema</i> by Pam Cook. London and New York: Routledge, 2005 [My Copy] Quarterly Review of Film and Video, Vol. 26, No. 3. (2009), pp. 248-251. by Matthew B. Goldie, Paula J. Massood posted to cinema got history by ITS4ME on 2009-04-08 18:18:41 as
	Unheimliche Inskriptionen: Eine Studie zu Körperbildern im postklassischen Horrorfilm [My Copy] by Catherine Shelton posted to body cinema film horror_films by haelstaed on 2009-03-27 09:44:02 as
	Medialität als Grenzerfahrung: Futurische Medien im Kino der 80er und 90er Jahre [My Copy] by Thomas Weber posted to cinema film_theory future_of_media media by haelstaed on 2009-03-27 09:43:16 as
	Monster: Zu Körperlichkeit und Medialität im modernen Horrorfilm [My Copy] by Arno Meteling posted to body cinema film horror_films monster monstrosity by haelstaed on 2009-03-27 09:41:57 as
	Bildgeschwüre: Körper und Fremdkörper im Kino David Cronenbergs. Psychoanalytische Filmlektüren nach Freud und Lacan [My Copy] by Manfred Riepe posted to body cinema david_cronenberg film film_theory by haelstaed on 2009-03-27 09:40:59 as
	Stanley Kubrick: Photography and Film [My Copy] Historical Journal of Film, Radio and Television, Vol. 26, No. 2. (June 2006), pp. 203-214. by Philippe D. Mather posted to cinema kubrick by westender on 2009-03-26 11:36:46 as
	Exploring the Cultural Content of French Feature Films [My Copy] The French Review, Vol. 53, No. 3. (1980), pp. 359-368. by Thomas M. Carr posted to cinema french truffaut by westender on 2009-03-26 11:14:21 as
	Metaphors on Vision [My Copy] (1976) by Stan Brakhage posted to cinema metaphor by yaxu on 2009-03-16 16:24:27 as
	Silent Film Sound (Film and Culture) [My Copy] (31 January 2005) by Rick Altman posted to cinema film sound studies by Orockwell on 2009-03-10 06:58:14 as along with 3 people radioactivecheesesteak9 randomaxes jannon
	The Financing of Film Production in Europe [My Copy] Cinema Journal, Vol. 14, No. 1. (1974), pp. 18-25. by Eitel Monaco posted to cinema film history production by Orockwell on 2009-03-10 06:18:37 as along with 1 person jannon
	Review: [The Five C's of Cinematography: Motion Picture Filming Techniques Simplified] [My Copy] Film Quarterly, Vol. 19, No. 4. (1966), pp. 69-70. by Ernest Callenbach posted to camera cinema technique by Orockwell on 2009-03-08 10:08:06 as
	Review: [Ideology and Cinematography in Hollywood, 1930-39] [My Copy] Film Quarterly, Vol. 48, No. 3. (1995), pp. 51-52. by John Belton posted to 20th century cinema by Orockwell on 2009-03-08 10:07:12 as
	Hearing Ordinary Voices: Cultural Studies, Vernacular Creativity and Digital Storytelling [My Copy] Continuum: Journal of Media & Cultural Studies, Vol. 20, No. 2. (June 2006), pp. 201-214. by Burgess, Jean posted to cinema digital by kats on 2009-03-04 09:50:54 as along with 3 people sjones rasmus copyculture
	Digital dawn: a revolution in movie distribution? [My Copy] Business Horizons, Vol. 46, No. 5. ( 2003), pp. 57-66. by Jon Silver, Frank Alpert posted to cinema digital distribution by kats on 2009-03-04 09:46:07 as along with 1 person and 1 group chriggi folksonomy
	We Had Faces Then: <i>Sunset Boulevard</i> and the Sense of the Spectral [My Copy] Quarterly Review of Film and Video, Vol. 26, No. 2. (2009), pp. 89-101. by Grayson Cooke posted to americanculture art cinema got by ITS4ME on 2009-02-27 20:17:23 as
	Camp Integration: The Use and Misuse of Nostalgia in John Waters' <i>Hairspray</i> [My Copy] Quarterly Review of Film and Video, Vol. 26, No. 2. (2009), pp. 143-154. by Caetlin Benson-Allott posted to americanculture art cinema got by ITS4ME on 2009-02-27 20:16:48 as
	Rainmaking and Personal Truth [My Copy] Rethinking History, Vol. 4, No. 2. (2000), pp. 129-134. by Milcho Manchevski posted to balkans cinema macedonia war by harrykipper on 2009-02-01 00:19:24 as
	Engaging Film: Geographies of Mobility and Identity [My Copy] (28 March 2002) by Tim Cresswell, Deborah Dixon posted to cinema histoire media mythe oui politique pouvoir these by octobremtl on 2009-01-26 15:56:30 as

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Tag cinema [145 articles] Export

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