Vibrato and portamento, hypotheses and tests Export

@article{citeulike:2204991, abstract = {As Seashore already pointed out, continuous aspects in music performance, which happen during and in between notes, can be a relevant means for expression. These modulations, like vibrato and portamento, are very consistently controlled and seem to exhibit striking regularities. However, there are many conflicting hypotheses in the literature about these regularities, especially concerning the relation between vibrato and global tempo. To investigate these more systematically, experiments were conducted in which different instruments perform the same piece at different tempi. The results, relating vibrato rate, extent, and phase to tempo and timing will be presented. Apart from understanding the process of music performance better, they may be applied in the design of synthesizers and software for the music studio. doi:10.1121/1.426087 Additional Information myMax) { alert('You have selected '+ \_countChecked + ' articles. Please select no more than '+myMax+ ' articles at a time.'); err = 1;} /* of is the count too low */ else if(\_countChecked Article Options myArticles Shopping Cart - BibTeX - EndNote \® (generic) - EndNote \® (RIS) - Medline - Plain Text - RefWorks - BibTeX - EndNote \® (generic) - EndNote \® (RIS) - Medline - Plain Text - RefWorks \ \ View Cart}, author = {Desain, Peter}, citeulike-article-id = {2204991}, citeulike-linkout-0 = {http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&id=JASMAN000105000002001274000003&idtype=cvips&gifs=yes}, citeulike-linkout-1 = {http://link.aip.org/link/?JAS/105/1274}, citeulike-linkout-2 = {http://dx.doi.org/10.1121/1.426087}, citeulike-linkout-3 = {http://dx.doi.org/http://dx.doi.org/10.1121/1.426087}, citeulike-linkout-4 = {http://dx.doi.org/10.1121/1.426087}, doi = {10.1121/1.426087}, journal = {The Journal of the Acoustical Society of America}, keywords = {jasa}, number = {2}, pages = {1274}, posted-at = {2008-01-07 21:22:54}, priority = {2}, publisher = {ASA}, title = {Vibrato and portamento, hypotheses and tests}, url = {http://dx.doi.org/10.1121/1.426087}, volume = {105}, year = {1999} }

TY - JOUR ID - citeulike:2204991 L3 - citeulike-article-id:2204991 N2 - As Seashore already pointed out, continuous aspects in music performance, which happen during and in between notes, can be a relevant means for expression. These modulations, like vibrato and portamento, are very consistently controlled and seem to exhibit striking regularities. However, there are many conflicting hypotheses in the literature about these regularities, especially concerning the relation between vibrato and global tempo. To investigate these more systematically, experiments were conducted in which different instruments perform the same piece at different tempi. The results, relating vibrato rate, extent, and phase to tempo and timing will be presented. Apart from understanding the process of music performance better, they may be applied in the design of synthesizers and software for the music studio. doi:10.1121/1.426087 Additional Information myMax) { alert('You have selected '+ _countChecked + ' articles. Please select no more than '+myMax+ ' articles at a time.'); err = 1;} /* of is the count too low */ else if(_countChecked Article Options myArticles Shopping Cart - BibTeX - EndNote ® (generic) - EndNote ® (RIS) - Medline - Plain Text - RefWorks - BibTeX - EndNote ® (generic) - EndNote ® (RIS) - Medline - Plain Text - RefWorks   View Cart IS - 2 JF - The Journal of the Acoustical Society of America EP - 1274 TI - Vibrato and portamento, hypotheses and tests PB - ASA VL - 105 SP - 1274 KW - jasa AU - Desain, Peter PY - 1999/// UR - http://dx.doi.org/10.1121/1.426087 ER -