The pitch perceived for short vocal vibrato tones was measured using a method of adjustment. The stimuli were synthetic vocal tones, produced by a formant synthesizer. The main parameter under study was the tone duration, as a function of the fractional number of vibrato cycles. This parameter was examined in relation to: (1) the vibrato extent (0, 50, 100, and 200 cents); (2) the vibrato rate (4, 6, and 8 Hz); (3) the tone frequency (220, 440, 880, and 1500 Hz). Durations from 1/2 cycle to 5 cycles were studied. Part of the results were obtained for a relatively large group of musically educated subjects (20 subjects), and another part for a small group of selected subjects. Our results show that: (a) for short tones, the pitch does correspond to a weighted time average of the F0 pattern (a numerical model of which is in accordance with this data); (b) the pitch mean between the extreme frequencies as the duration increases; (c) the overall pattern of F0 has an influence on perception, and some simple patterns seem to behave better perceptually; (d) perception may be ambiguous above a threshold of duration, which is related to the absolute threshold of pitch change and to the trill threshold. doi:10.1121/1.403139 PACS: 43.66.Hg, 43.75.Bc Additional Information myMax) alert('You have selected '+ _countChecked + ' articles. Please select no more than '+myMax+ ' articles at a time.'); err = 1; /* of is the count too low */ else if(_countChecked Article Options myArticles Shopping Cart - BibTeX - EndNote ® (generic) - EndNote ® (RIS) - Medline - Plain Text - RefWorks - BibTeX - EndNote ® (generic) - EndNote ® (RIS) - Medline - Plain Text - RefWorks View Cart