Orockwell's library 50 articles Export

	Statutory Damages in Copyright Law: A Remedy in Need of Reform [My Copy] Social Science Research Network Working Paper Series (09 April 2009) by Pamela Samuelson, Tara Wheatland posted to copyright intellectual property by Orockwell on 2009-04-18 03:37:21 as
	Women, Wives, Film-Makers: An Interview with Gunvor Nelson and Dorothy Wiley [My Copy] Film Quarterly, Vol. 25, No. 1. (1971), pp. 34-40. by Brenda Richardson, Gunvor Nelson, Dorothy Wiley posted to amateur cine cinematography film studies by Orockwell on 2009-03-15 06:42:34 as
	The Family Video Archive: an annotation and browsing environment for home movies [My Copy] In MIR '03: Proceedings of the 5th ACM SIGMM international workshop on Multimedia information retrieval (2003), pp. 1-8. by Gregory D. Abowd, Matthias Gauger, Andreas Lachenmann posted to and annotation collection databases film practices studies by Orockwell on 2009-03-15 06:39:49 as along with 5 people and 3 groups rybesh draggin thsant Hoenikker casam SIMS Blog_and_Wiki_Research video_retrieval
	The State of 8 [My Copy] Film Quarterly, Vol. 19, No. 4. (1966), pp. 36-39. by Ernest Callenbach posted to 8mm amateur cinematography film kodak production studies by Orockwell on 2009-03-15 06:36:49 as
	Filming the Family: Home Movie Systems and the Domestication of Spectatorship [My Copy] Velvet Light Trap (1995) posted to film history production studies by Orockwell on 2009-03-15 06:34:38 as
	A New Colour Consciousness: Colour in the Digital Age [My Copy] Convergence, Vol. 9, No. 4. (1 December 2003), pp. 60-76. by Scott Higgins posted to color digital kodak media psychology by Orockwell on 2009-03-15 06:32:25 as
	Early Home Cinema: The Origins of Alternative Spectatorship [My Copy] Convergence, Vol. 13, No. 3. (1 August 2007), pp. 223-230. by Sheila Chalke posted to film history production studies by Orockwell on 2009-03-15 06:28:50 as
	Early Home Cinema and the Edison Home Projecting Kinetoscope [My Copy] Film History, Vol. 2, No. 1. (1988), pp. 37-69. by Ben Singer posted to film history production studies by Orockwell on 2009-03-15 06:27:58 as
	Photography and Fetish Christian Metz October , Vol. 34. (Autumn, 1985), pp. 81-90. [My Copy] October (1985) posted to aesthetics film studies by Orockwell on 2009-03-12 05:33:16 as
	In∼Service Course Diary: An Introduction to Super∼8 Filmmaking [My Copy] The English Journal, Vol. 63, No. 7. (1974), pp. 45-49. by Lillian Schiff posted to film production studies by Orockwell on 2009-03-12 05:31:37 as
	Film study : an analytical bibliography [My Copy] (1990) by Frank Manchel posted to bibliography film studies by Orockwell on 2009-03-12 02:25:34 as
	Colour cinematography [My Copy] (1936) by Adrian Cornwell-Clyne posted to cinematography film history motion picture production by Orockwell on 2009-03-11 07:07:48 as
	The talkies, [WorldCat.org] [My Copy] by John Scotland posted to 1920s 1930s history motion movies of picture sound by Orockwell on 2009-03-11 07:02:25 as
	Panchromatic photography. [My Copy] Photo-miniature., Vol. 17, No. 203. (1930) by Frank H. Wildung posted to 1920s 1930s and black history of photography white by Orockwell on 2009-03-11 06:58:40 as
	Cine Cameras - Google Book Search [My Copy] by John Wade posted to amateur cine film production by Orockwell on 2009-03-10 07:58:31 as
	At home and abroad with cine enthusiasts: Regional amateur filmmaking and visualizing the Mediterranean, ca. 1928–1962. [My Copy] GeoJournal, Vol. 59, No. 4. (27 April 2004), pp. 323-333. by Heather Nicholson posted to amateur film history production by Orockwell on 2009-03-10 07:44:31 as along with 1 person jannon
	The Function of Music in Sound Film [My Copy] The Musical Quarterly, Vol. 27, No. 2. (1941), pp. 146-164. by Marian H. Winter posted to film history production sound by Orockwell on 2009-03-10 07:18:42 as along with 1 person jannon
	Notes on Animated Sound [My Copy] The Quarterly of Film Radio and Television, Vol. 7, No. 3. (1953), pp. 223-229. by Norman Mclaren, William Jordan posted to film production sound studies by Orockwell on 2009-03-10 07:17:57 as along with 1 person jannon
	Visions of Ourselves: Filming Folklore, Present and Future [My Copy] Western Folklore, Vol. 50, No. 1. (1991), pp. 53-63. by Sharon R. Sherman posted to documentary film production by Orockwell on 2009-03-10 07:14:11 as along with 1 person jannon
	The Eighteenth-Century Rediscovery of Alexis Grimou and the Emergence of the Proto-Bohemian Image of the French Artist [My Copy] Eighteenth-Century Studies, Vol. 2, No. 1. (1968), pp. 58-76. by George Levitine posted to 19th bohemianism century by Orockwell on 2009-03-10 07:07:30 as along with 1 person jannon
	Monuments to 'Genius' in German Classicism [My Copy] Journal of the Warburg Institute, Vol. 2, No. 2. (1938), pp. 159-163. by Alfred Neumeyer posted to 19th century german history romanticism by Orockwell on 2009-03-10 07:06:28 as along with 1 person jannon
	Sound Design and Science Fiction [My Copy] (01 February 2007) by William Whittington posted to fiction film films science studies by Orockwell on 2009-03-10 07:04:03 as along with 2 people jannon cerkut
	Silent Film Sound (Film and Culture) [My Copy] (31 January 2005) by Rick Altman posted to cinema film sound studies by Orockwell on 2009-03-10 06:58:14 as along with 3 people radioactivecheesesteak9 randomaxes jannon
	Walter Pater's "Winckelmann" [My Copy] Journal of Aesthetic Education, Vol. 35, No. 1. (2001), pp. 99-109. by David Carrier posted to 19th aestheticism century pater by Orockwell on 2009-03-10 06:57:27 as along with 1 person jannon
	Review: [The Tongues of Men: Hegel and Hamann on Religious Language and History] [My Copy] The Journal of Religion, Vol. 61, No. 1. (1981), pp. 94-96. by James A. Massey posted to hegel romanticism by Orockwell on 2009-03-10 06:56:48 as along with 1 person jannon
	Untitled [My Copy] posted to art artificiality documentary film performance by Orockwell on 2009-03-10 06:55:19 as along with 1 person jannon
	The Film-Maker as Romantic Poet: Brakhage and Olson [My Copy] Film Quarterly, Vol. 35, No. 3. (1982), pp. 35-43. by David James posted to brakhage film production romanticism studies by Orockwell on 2009-03-10 06:54:28 as along with 2 people ronit999 jannon
	Sound and Image: A Further Hearing [My Copy] Film Quarterly, Vol. 43, No. 1. (1989), pp. 24-35. by William Johnson posted to film semiotics studies by Orockwell on 2009-03-10 06:53:31 as along with 2 people Bertrumnm jannon
	Goethe and Linnæus [My Copy] Journal of the History of Ideas, Vol. 28, No. 4. (1967), pp. 590-596. by James L. Larson posted to 18th 19th century goethe taxonomy by Orockwell on 2009-03-10 06:52:28 as along with 1 person jannon
	The Origins of 18th-Century Neo-Medievalism in a Georgian Norman Castle [My Copy] The Journal of the Society of Architectural Historians, Vol. 40, No. 4. (1981), pp. 289-294. by Timothy Mowl, Brian Earnshaw posted to 18th 19th british century history by Orockwell on 2009-03-10 06:51:35 as along with 1 person jannon
	Indian Influences on English Houses and Gardens at the Beginning of the Nineteenth Century [My Copy] Garden History, Vol. 8, No. 1. (1980), pp. 46-66. by Edward Malins posted to 19th british century history india by Orockwell on 2009-03-10 06:50:45 as along with 1 person jannon
	Refiguring the Colonial City: Recovering the Role of Local Inhabitants in the Construction of Colonial Bombay, 1854-1918 [My Copy] Buildings & Landscapes: Journal of the Vernacular Architecture Forum, Vol. 14 (2007), pp. 109-125. by Preeti Chopra posted to 19th century colonialism india by Orockwell on 2009-03-10 06:50:09 as along with 1 person jannon
	The Art of Walking in London: Representing Urban Pedestrianism in the Early Nineteenth Century [My Copy] Romanticism, Vol. 14, No. 2. (2008), pp. 94-107. by Alison O'Byrne posted to 19th century english history romanticism by Orockwell on 2009-03-10 06:49:24 as along with 1 person jannon
	The Sound of Music: A Conversation with Michael Snow [My Copy] October, Vol. 114, No. 1. (2005), pp. 43-60. by Annette Michelson posted to film history production snow techniques by Orockwell on 2009-03-10 06:48:31 as along with 2 people jannon katsushi
	A Bergsonian Film: "The Picasso Mystery" by André Bazin [My Copy] Journal of Aesthetic Education, Vol. 35, No. 2. (2001), pp. 1-9. by Bert Cardullo posted to bazin film production by Orockwell on 2009-03-10 06:47:35 as along with 1 person jannon
	Lost, Found and Remade: An Interview with Archivist and Filmmaker Carolyn Faber [My Copy] Film History, Vol. 15, No. 2. (2003), pp. 208-213. by Laura Kissel, Carolyn Faber posted to film making production by Orockwell on 2009-03-10 06:46:45 as
	A Survey of Film Periodicals, III: France (As of November 1, 1947) [My Copy] Hollywood Quarterly, Vol. 3, No. 2. (1947), pp. 152-154. by L'Institut posted to bibliography film french journals production by Orockwell on 2009-03-10 06:45:42 as
	Slanguage of Amateur Photographers [My Copy] American Speech, Vol. 15, No. 4. (1940), pp. 357-360. by Robert Johnston posted to habits language photography slang by Orockwell on 2009-03-10 06:44:46 as along with 1 person jannon
	The Financing of Film Production in Europe [My Copy] Cinema Journal, Vol. 14, No. 1. (1974), pp. 18-25. by Eitel Monaco posted to cinema film history production by Orockwell on 2009-03-10 06:18:37 as along with 1 person jannon
	Early Film Production in England: The Origin of Montage, Close-Ups, and Chase Sequence [My Copy] Hollywood Quarterly, Vol. 1, No. 3. (1946), pp. 249-259. by Georges Sadoul, Yvonne Templin posted to 20th century early english film history production techniques by Orockwell on 2009-03-10 06:17:33 as along with 1 person jannon
	Film as a Museum Object [My Copy] Cinema Journal, Vol. 24, No. 4. (1985), pp. 39-42. by John Kuiper posted to aesthetics film making studies by Orockwell on 2009-03-10 05:08:18 as along with 2 people jannon stefnet
	Historians and Film: Some Problems and Prospects [My Copy] The History Teacher, Vol. 6, No. 4. (1973), pp. 543-552. by John E. O'Connor posted to film historiography studies by Orockwell on 2009-03-10 05:07:29 as along with 2 people jannon stefnet
	M-G-M's Greatest Musicals: The Arthur Freed Unit [My Copy] (30 September 1996) by Hugh Fordin posted to 40s film hollywood making mgm by Orockwell on 2009-03-10 05:06:08 as along with 2 people Eelam wickedwhich
	Film Style and Technology in the Forties [My Copy] Film Quarterly, Vol. 31, No. 1. (1977), pp. 46-57. by Barry Salt posted to 1940s film hollywood making by Orockwell on 2009-03-10 05:05:10 as along with 1 person TToppy
	The Virtues of Reading [My Copy] Journal of Aesthetic Education, Vol. 36, No. 1. (2002), pp. 60-67. by Joseph Kupfer posted to literature reading by Orockwell on 2009-03-10 05:04:32 as along with 6 people jannon claudiamichelle A_Olympia proportional TToppy julianjonker
	Neville Chamberlain: A Biography -- Williamson CXXIII (500): 258 -- The English Historical Review [My Copy] posted to biography british english history by Orockwell on 2009-03-10 04:58:01 as
	Project MUSE - Victorian Periodicals Review - The Pioneer Bibliography [My Copy] posted to 19th british century literature victorian by Orockwell on 2009-03-10 04:56:04 as
	Review: [The Five C's of Cinematography: Motion Picture Filming Techniques Simplified] [My Copy] Film Quarterly, Vol. 19, No. 4. (1966), pp. 69-70. by Ernest Callenbach posted to camera cinema technique by Orockwell on 2009-03-08 10:08:06 as
	Review: [Ideology and Cinematography in Hollywood, 1930-39] [My Copy] Film Quarterly, Vol. 48, No. 3. (1995), pp. 51-52. by John Belton posted to 20th century cinema by Orockwell on 2009-03-08 10:07:12 as
	Review: [The English Common Reader: A Social History of the Mass Reading Public, 1800-1900.] [My Copy] Political Science Quarterly, Vol. 73, No. 4. (1958), pp. 633-635. by M. S. Wilkins posted to 19th altick century history intellectual social victorian by Orockwell on 2009-03-08 08:48:13 as

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