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Feminist Media Studies, Vol. 9, No. 4. (23 November 2009), pp. 477-491, doi:10.1080/14680770903233266 Key: citeulike:11179497
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In the past two decades, an increasing number of young women have taken the tools of media production into their own hands; feminist zines have evolved into a medium for transnational dialogue, community building, and networking. In focusing on the Plotki Femzine (2006, 2007), a Central and Eastern European (CEE) feminist print and online zine project, we use the theoretical framework of ?rhizomatic media? to problematize existing scholarship on feminist zines. Much of this scholarship sees zines as venues that construct a sense of ?authenticity? through the use of the autobiographical voice and an outright rejection of mainstream media practices. Considering the rhizomatic processes of alternative knowledge production in Plotki publication, we draw on post-structuralist gossip theory to examine the Plotki Femzine as a site of feminist discourse. In particular, we show how the Plotki Femzine builds cross-border collaboration and ?spreads rumours? of a feminist kind.
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