This study examines the effects of the Internet on an international community of artists who have exchanged art through postal systems for 40 years. The methods of grounded theory are employed to collect and analyze three types of data: 1) literature collected from Internet communities where the artists converse and publish artworks, 2) interviews with artists who have experience in both electronic and traditional network environments, and 3) artworks that express artists' visual and poetic responses to the Internet. The data reveal three clusters of artists' concerns: social, artistic, and art historical.