Designing the spectator experience Export

@inproceedings{citeulike:239578, abstract = {Interaction is increasingly a public affair, taking place in our theatres, galleries, museums, exhibitions and on the city streets. This raises a new design challenge for HCI - how should spectators experience a performer's interaction with a computer? We classify public interfaces (including examples from art, performance and exhibition design) according to the extent to which a performer's manipulations of an interface and their resulting effects are hidden, partially revealed, fully revealed or even amplified for spectators. Our taxonomy uncovers four broad design strategies: 'secretive,' where manipulations and effects are largely hidden; 'expressive,' where they tend to be revealed enabling the spectator to fully appreciate the performer's interaction; 'magical,' where effects are revealed but the manipulations that caused them are hidden; and finally 'suspenseful,' where manipulations are apparent but effects are only revealed as the spectator takes their turn.}, address = {New York, NY, USA}, author = {Reeves, Stuart and Benford, Steve and O'Malley, Claire and Fraser, Mike}, booktitle = {CHI '05: Proceedings of the SIGCHI conference on Human factors in computing systems}, citeulike-article-id = {239578}, citeulike-linkout-0 = {http://portal.acm.org/citation.cfm?id=1055074}, citeulike-linkout-1 = {http://dx.doi.org/10.1145/1054972.1055074}, doi = {10.1145/1054972.1055074}, isbn = {1-58113-998-5}, keywords = {art, chi05, design, experience, gallery, game, interact, interactivearts, locationbased, spectator, ubiquity, urban, userexperience}, location = {Portland, Oregon, USA}, pages = {741--750}, posted-at = {2007-01-22 07:27:05}, priority = {3}, publisher = {ACM}, title = {Designing the spectator experience}, url = {http://dx.doi.org/10.1145/1054972.1055074}, year = {2005} }

TY - CONF ID - citeulike:239578 L3 - citeulike-article-id:239578 N2 - Interaction is increasingly a public affair, taking place in our theatres, galleries, museums, exhibitions and on the city streets. This raises a new design challenge for HCI - how should spectators experience a performer's interaction with a computer? We classify public interfaces (including examples from art, performance and exhibition design) according to the extent to which a performer's manipulations of an interface and their resulting effects are hidden, partially revealed, fully revealed or even amplified for spectators. Our taxonomy uncovers four broad design strategies: 'secretive,' where manipulations and effects are largely hidden; 'expressive,' where they tend to be revealed enabling the spectator to fully appreciate the performer's interaction; 'magical,' where effects are revealed but the manipulations that caused them are hidden; and finally 'suspenseful,' where manipulations are apparent but effects are only revealed as the spectator takes their turn. CY - Portland, Oregon, USA SN - 1-58113-998-5 AD - New York, NY, USA EP - 750 TI - Designing the spectator experience PB - ACM T2 - CHI '05: Proceedings of the SIGCHI conference on Human factors in computing systems SP - 741 KW - art KW - chi05 KW - design KW - experience KW - gallery KW - game KW - interact KW - interactivearts KW - locationbased KW - spectator KW - ubiquity KW - urban KW - userexperience AU - Reeves, Stuart AU - Benford, Steve AU - O'Malley, Claire AU - Fraser, Mike PY - 2005/// UR - http://dx.doi.org/10.1145/1054972.1055074 ER -