This book deals with popular media, ranging from inscriptions on matatu (taxis) to cartoon strips and fiction columns in newspapers. If cartoon strips and humour columns in popular periodicals provide alternative sites of expression in a fast-evolving socio-cultural formation, then the matatu discourses signal a radical avant-garde African cultural expression. The book also provides a compelling reading of how urban legends, rumours and jokes proliferate alongside pop music to express a sub-culture that is at once a critique and a celebration of modernity and its fragments.