The Search for 'Real' Form Export

@article{citeulike:5870724, abstract = {The author has developed an optical image-processing system for photography, cinema and video. With this system, he observes biological forms and arrives at an outline of an image, which he then colors and re-elaborates to produce his artwork. Studies in morphogenesis lead the author to interpret the relationship between forms of living beings and natural patterns. Mathematical and particularly topological concepts, as applied to biology, evolution and new dimensions of time and space, influence his film work and 'recombinant' still lifes. He uses computer graphics to visualize form in several dimensions, including that of the 'internal time' of an organism, but the main focus of his work is the science and art of imaging.}, author = {d'Angelo, Aldo}, citeulike-article-id = {5870724}, citeulike-linkout-0 = {http://dx.doi.org/10.2307/1575137}, citeulike-linkout-1 = {http://www.jstor.org/stable/1575137}, doi = {10.2307/1575137}, issn = {0024094X}, journal = {Leonardo}, keywords = {being, beings, biological, biology, cinema, color, computers, concepts, dimension, elaboration, evolution, form, graphics, images, imaging, internal, knowledge, life, living, mathematics, modeling, modelling, models, morphogenesis, morphology, natural, nature, optics, organisms, outline, patterns, photography, processing, realism, realness, recombinant, representation, science, shape, space, still\_lifes, systems, time, topology, video, visualization}, number = {1}, pages = {39--46}, posted-at = {2009-10-01 22:46:46}, priority = {2}, publisher = {The MIT Press}, title = {The Search for 'Real' Form}, url = {http://dx.doi.org/10.2307/1575137}, volume = {22}, year = {1989} }

TY - JOUR ID - citeulike:5870724 L3 - citeulike-article-id:5870724 N2 - The author has developed an optical image-processing system for photography, cinema and video. With this system, he observes biological forms and arrives at an outline of an image, which he then colors and re-elaborates to produce his artwork. Studies in morphogenesis lead the author to interpret the relationship between forms of living beings and natural patterns. Mathematical and particularly topological concepts, as applied to biology, evolution and new dimensions of time and space, influence his film work and 'recombinant' still lifes. He uses computer graphics to visualize form in several dimensions, including that of the 'internal time' of an organism, but the main focus of his work is the science and art of imaging. IS - 1 JF - Leonardo SN - 0024094X EP - 46 TI - The Search for 'Real' Form PB - The MIT Press VL - 22 SP - 39 KW - being KW - beings KW - biological KW - biology KW - cinema KW - color KW - computers KW - concepts KW - dimension KW - elaboration KW - evolution KW - form KW - graphics KW - images KW - imaging KW - internal KW - knowledge KW - life KW - living KW - mathematics KW - modeling KW - modelling KW - models KW - morphogenesis KW - morphology KW - natural KW - nature KW - optics KW - organisms KW - outline KW - patterns KW - photography KW - processing KW - realism KW - realness KW - recombinant KW - representation KW - science KW - shape KW - space KW - still_lifes KW - systems KW - time KW - topology KW - video KW - visualization AU - d'Angelo, Aldo PY - 1989/// UR - http://dx.doi.org/10.2307/1575137 ER -