Networked music: bridging real and virtual space Export

@article{citeulike:3367788, abstract = {This paper describes an exploration of utilising the World Wide Web for interactive music. The origin of this investigation was the intermedia work Telemusic \#1 , by Randall Packer, which combined live performers with live public participation via the Web. During the event, visitors to the site navigated through a virtual interface, and while manipulating elements, projected their actions in the form of triggered sounds into the physical space. Simultaneously, the live audio performance was streamed back out to the Internet participants. Thus, anyone could take part in the collective realisation of the work and hear the musical results in real time. The underlying technology is, to our knowledge, the first standards-based implementation linking the Web with Cycling '74 MAX. Using only ECMAScript/JavaScript, Java, and the OTUDP external from UC Berkeley CNMAT, virtually any conceivable interaction with a Web page can send data to a MAX patch for processing. The code can also be readily adapted to work with Pd, jMAX and other network-enabled applications.}, address = {New York, NY, USA}, author = {Young, John P.}, citeulike-article-id = {3367788}, citeulike-linkout-0 = {http://portal.acm.org/citation.cfm?id=972412.972417}, citeulike-linkout-1 = {http://dx.doi.org/10.1017/S1355771801002059}, doi = {10.1017/S1355771801002059}, issn = {1355-7718}, journal = {Org. Sound}, keywords = {cyberspace, ethnocybermusicology, music, projeto\_tese, sandwich\_portugal}, number = {2}, pages = {107--110}, posted-at = {2008-10-03 02:53:43}, priority = {2}, publisher = {Cambridge University Press}, title = {Networked music: bridging real and virtual space}, url = {http://dx.doi.org/10.1017/S1355771801002059}, volume = {6}, year = {2001} }

TY - JOUR ID - citeulike:3367788 L3 - citeulike-article-id:3367788 N2 - This paper describes an exploration of utilising the World Wide Web for interactive music. The origin of this investigation was the intermedia work Telemusic #1 , by Randall Packer, which combined live performers with live public participation via the Web. During the event, visitors to the site navigated through a virtual interface, and while manipulating elements, projected their actions in the form of triggered sounds into the physical space. Simultaneously, the live audio performance was streamed back out to the Internet participants. Thus, anyone could take part in the collective realisation of the work and hear the musical results in real time. The underlying technology is, to our knowledge, the first standards-based implementation linking the Web with Cycling '74 MAX. Using only ECMAScript/JavaScript, Java, and the OTUDP external from UC Berkeley CNMAT, virtually any conceivable interaction with a Web page can send data to a MAX patch for processing. The code can also be readily adapted to work with Pd, jMAX and other network-enabled applications. IS - 2 JF - Org. Sound SN - 1355-7718 AD - New York, NY, USA EP - 110 TI - Networked music: bridging real and virtual space PB - Cambridge University Press VL - 6 SP - 107 KW - cyberspace KW - ethnocybermusicology KW - music KW - projeto_tese KW - sandwich_portugal AU - Young, John PY - 2001/// UR - http://dx.doi.org/10.1017/S1355771801002059 ER -