Introduction: Ethnomusicology in the Twenty-first Century Export

@incollection{30, abstract = {Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, Rene T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Theberge, Melissa West, Deborah Wong.}, author = {Lysloff, Ren\'{e} and Gay, Leslie}, citeulike-article-id = {5805752}, editor = {Lysloff, Ren\'{e} and Gay, Leslie}, isbn = {0819565148}, journal = {Music and Technoculture}, keywords = {ciberespaco, computer-mediated\_communication, comunidades\_virtuais, ethnocybermusicology, ethnomusicology, etnografia\_on-line, file\_sharing, internet, mod\_file, music, musica, projeto\_tese, projeto\_tese\_bc, projeto\_tese\_ssc, samplertropofagia, sandwich\_portugal, technoculture, tese, virtual\_communities, virtual\_ethnomusicology}, posted-at = {2009-09-19 17:52:22}, priority = {2}, publisher = {Wesleyan University Press}, title = {Introduction: Ethnomusicology in the Twenty-first Century}, year = {2003} }

TY - CHAP ID - 30 L3 - citeulike-article-id:5805752 N2 - Moving from web to field, from Victorian parlor to 21st-century mall, the 15 essays gathered here yield new insights regarding the intersection of local culture, musical creativity and technological possibilities. Inspired by the concept of "technoculture," the authors locate technology squarely in the middle of expressive culture: they are concerned with how technology culturally informs and infuses aspects of everyday life and musical experience, and they argue that this merger does not necessarily result in a "cultural grayout," but instead often produces exciting new possibilities. In this collection, we find evidence of musical practices and ways of knowing music that are informed or even significantly transformed by new technologies, yet remain profoundly local in style and meaning. CONTRIBUTORS: Leslie C. Gay, Jr., Kai Fikentscher, Tong Soon Lee, Rene T. A. Lysloff, Matthew Malsky, Charity Marsh, Marc Perlman, Thomas Porcello, Andrew Ross, David Sanjek, jonathan Sterne, Janet L. Sturman, Timothy D. Taylor, Paul Theberge, Melissa West, Deborah Wong. JF - Music and Technoculture SN - 0819565148 TI - Introduction: Ethnomusicology in the Twenty-first Century PB - Wesleyan University Press KW - ciberespaco KW - computer-mediated_communication KW - comunidades_virtuais KW - ethnocybermusicology KW - ethnomusicology KW - etnografia_on-line KW - file_sharing KW - internet KW - mod_file KW - music KW - musica KW - projeto_tese KW - projeto_tese_bc KW - projeto_tese_ssc KW - samplertropofagia KW - sandwich_portugal KW - technoculture KW - tese KW - virtual_communities KW - virtual_ethnomusicology AU - Lysloff, René AU - Gay, Leslie A2 - Lysloff, René A2 - Gay, Leslie PY - 2003/// ER -