Hearing Pure Data: Aesthetics and Ideals of Data-Sound Export

@inbook{citeulike:1340360, abstract = {Sound artists and musicians have begun to come to grips with data, the ubiquitous material of contemporary technoculture. But often they evoke and aspire to an idea of "raw" or "pure data" which is problematic, and potentially obscures a more powerful engagement with "the data itself."}, author = {Whitelaw, Mitchell}, booktitle = {Unsorted: Thoughts on the Information Arts: An A to Z for Sonic Acts X}, citeulike-article-id = {1340360}, editor = {Altena, Arie}, keywords = {criticism, data, dataesthetics, music, sonfication, soundart, theory}, month = {September}, pages = {45--54}, posted-at = {2007-05-29 08:10:15}, priority = {0}, publisher = {Sonic Acts/De Balie}, title = {Hearing Pure Data: Aesthetics and Ideals of Data-Sound}, year = {2004} }

TY - CHAP ID - citeulike:1340360 L3 - citeulike-article-id:1340360 N2 - Sound artists and musicians have begun to come to grips with data, the ubiquitous material of contemporary technoculture. But often they evoke and aspire to an idea of "raw" or "pure data" which is problematic, and potentially obscures a more powerful engagement with "the data itself." EP - 54 TI - Hearing Pure Data: Aesthetics and Ideals of Data-Sound PB - Sonic Acts/De Balie T2 - Unsorted: Thoughts on the Information Arts: An A to Z for Sonic Acts X SP - 45 KW - criticism KW - data KW - dataesthetics KW - music KW - sonfication KW - soundart KW - theory AU - Whitelaw, Mitchell A2 - Altena, Arie PY - 2004/09// ER -