End of Story: The Collapse of Myth in Postmodern Narrative Film Export

@inbook{citeulike:1004699, abstract = {Discusses postmodern narrative and allusionism in film of the 1990s. Films of David Fincher (Seven and Fight Club), Wes Craven (Scream and New Nightmare), The Matrix, American Beauty, etc. Running out of narratives so films become self-reflexive.}, address = {New York}, author = {Sharrett, Christopher}, booktitle = {The End of Cinema As We Know It: American Film in the Nineties}, chapter = {31}, citeulike-article-id = {1004699}, editor = {Lewis, Jon}, keywords = {1990s, american, cinema, craven, culture, film, genre, hollywood, myth, narrative, postmodern}, pages = {319--331}, posted-at = {2006-12-20 19:49:08}, priority = {0}, publisher = {New York University Press}, title = {End of Story: The Collapse of Myth in Postmodern Narrative Film}, year = {2001} }

TY - CHAP ID - citeulike:1004699 L3 - citeulike-article-id:1004699 N2 - Discusses postmodern narrative and allusionism in film of the 1990s. Films of David Fincher (Seven and Fight Club), Wes Craven (Scream and New Nightmare), The Matrix, American Beauty, etc. Running out of narratives so films become self-reflexive. AD - New York EP - 331 TI - End of Story: The Collapse of Myth in Postmodern Narrative Film PB - New York University Press T2 - The End of Cinema As We Know It: American Film in the Nineties SP - 319 KW - 1990s KW - american KW - cinema KW - craven KW - culture KW - film KW - genre KW - hollywood KW - myth KW - narrative KW - postmodern AU - Sharrett, Christopher A2 - Lewis, Jon PY - 2001/// ER -