rgscarter's visual [37 articles] Export

Recent papers added to rgscarter's library classified by the tag visual. You can also see everyone's visual.

	Hope you will be able to recognise us: the representation of women and gardens in early twentieth-century British domestic real photo postcards [My Copy] In Women's History Review, Vol. 18, No. 5. (2009), pp. 781-800. by Rebecca Preston posted to visual photography genderstudies by rgscarter on 2009-12-10 18:41:14 as
	When Sailors Kiss: Picturing Homosexuality in Post-World War II America [My Copy] The Journal of American Culture, Vol. 32, No. 4. (2009), pp. 318-331. by Elizabeth Lee posted to visual genderstudies culturalstudies by rgscarter on 2009-12-08 14:44:35 as
	Obama as Icon [My Copy] Journal of Visual Culture, Vol. 8, No. 2. (1 August 2009), pp. 125-129. by W. J. T. Mitchell posted to visual politics media by rgscarter on 2009-11-20 20:42:44 as along with 1 person luisant
	Obama and Shepard Fairey: The Copy and Political Iconography in the Age of the Demake [My Copy] Journal of Visual Culture, Vol. 8, No. 2. (1 August 2009), pp. 172-176. by Lisa Cartwright, Stephen Mandiberg posted to visual politics photography media art by rgscarter on 2009-11-20 20:42:26 as
	Obama on Flickr [My Copy] Journal of Visual Culture, Vol. 8, No. 2. (1 August 2009), pp. 196-201. by Julian Stallabrass posted to visual politics photography digital by rgscarter on 2009-11-20 20:41:55 as
	News Images as Lived Images: Media Ritual, Cultural Performance, and Public Trauma [My Copy] Critical Studies in Media Communication, Vol. 26, No. 5. (2009), pp. 457-479. by Gordon Coonfield, John Huxford posted to visual media by rgscarter on 2009-11-20 20:41:21 as
	It's only a picture: sexting, smutty snapshots and felony charges [My Copy] Visual Studies, Vol. 24, No. 3. (2009), pp. 258-268. by Richard Chalfen posted to visual photography digital by rgscarter on 2009-11-17 00:11:51 as
	Body horror on the internet: US soldiers recording the war in Iraq and Afghanistan [My Copy] Media Culture Society, Vol. 31, No. 6. (1 November 2009), pp. 921-938. by Kari Anden-Papadopoulos posted to war visual digital by rgscarter on 2009-11-11 13:27:16 as
	What Is an Image? [My Copy] New Literary History, Vol. 15, No. 3. (1984), pp. 503-537. by W. J. T. Mitchell posted to visual photography by rgscarter on 2009-11-05 19:09:45 as along with 2 people jtowle lisagye
	Dislocated Narratives and Sites of Memory: Amateur Photographic Surveys in Britain 18891897 [My Copy] Visual Culture in Britain, Vol. 10, No. 1. (2009), pp. 1-26. by Venda L. Pollock posted to visual photography by rgscarter on 2009-09-15 16:42:19 as
	Photography and the art of science [My Copy] Visual Studies, Vol. 24, No. 2. (2009), pp. 163-168. by Kelley E. Wilder posted to visual photography by rgscarter on 2009-09-08 14:33:00 as
	Is a photograph worth a thousand films? [My Copy] Visual Studies, Vol. 24, No. 2. (2009), pp. 143-148. by Jan Baetens posted to visual photography film by rgscarter on 2009-09-08 14:32:21 as
	Phototextuality: photography, fiction, criticism [My Copy] Visual Studies, Vol. 24, No. 2. (2009), pp. 108-121. by Ari J. Blatt posted to visual photography literature by rgscarter on 2009-09-08 14:31:30 as
	The imperialist lens: Du Camp, Salzmann and early French photography [My Copy] Early Popular Visual Culture, Vol. 6, No. 1. (2008), pp. 1-17. by Keri A. Berg posted to visual photography by rgscarter on 2009-08-24 19:00:29 as
	MR LAWRENCES GREAT PHOTOGRAPHIC BAZAAR -- Photography, history and the imperial streetscape [My Copy] Early Popular Visual Culture, Vol. 5, No. 3. (2007), pp. 263-283. by Justin Carville posted to visual photography by rgscarter on 2009-08-24 18:59:45 as
	MEN AND HORSES IN MOTION:Thomas Eakins and motion photography [My Copy] Early Popular Visual Culture, Vol. 5, No. 1. (2007), pp. 25-40. by Paul M. Hillier posted to visual photography by rgscarter on 2009-08-24 18:59:09 as
	SELLING SHADOWS AND SUBSTANCE -- Photographing Race in the United States, 18501870s [My Copy] Early Popular Visual Culture, Vol. 4, No. 3. (2006), pp. 285-305. by Mandy Reid posted to visual photography by rgscarter on 2009-08-24 18:58:36 as along with 1 person alc142
	TRADITIONS OF COLLECTING AND REMEMBERING -- Gender, class and the nineteenth-century sentiment album and photographic album [My Copy] Early Popular Visual Culture, Vol. 4, No. 3. (2006), pp. 227-243. by Andrea Kunard posted to visual photography memory by rgscarter on 2009-08-24 18:58:01 as
	THE GHOST STAMP, THE DETECTIVE AND THE HOSPITAL FOR BOOTS -- <i>Light</i> and the Post-War Battle Over Spirit Photography [My Copy] Early Popular Visual Culture, Vol. 4, No. 1. (2006), pp. 35-51. by Neil Matheson posted to visual photography by rgscarter on 2009-08-24 18:57:13 as
	Photography, vice and the moral dilemma in Victorian Britain [My Copy] Early Popular Visual Culture, Vol. 3, No. 2. (2005), pp. 113-133. by Simon Popple posted to visual photography law by rgscarter on 2009-08-24 18:56:42 as
	Photography, crime and social control [My Copy] Early Popular Visual Culture, Vol. 3, No. 1. (2005), pp. 95-106. by Simon Popple posted to visual photography law by rgscarter on 2009-08-24 18:56:00 as
	The optical stranger: Photographic anxieties in British periodical literature of the 1840s and early 1850s [My Copy] Early Popular Visual Culture, Vol. 7, No. 2. (2009), pp. 167-183. by Julia F. Munro posted to photography visual by rgscarter on 2009-08-06 13:35:33 as
	Spirits, Apparitions, and Traditions of Supernatural Photography [My Copy] Visual Resources, Vol. 25, No. 1. (2009), pp. 109-136. by Daniel Wojcik posted to photography religion visual by rgscarter on 2009-04-21 14:40:07 as
	Looking the Wrong Way: Authenticity and Proof of Religious Vision [My Copy] Visual Resources, Vol. 25, No. 1. (2009), pp. 69-92. by Lisa Bitel posted to photography religion visual by rgscarter on 2009-04-21 14:38:54 as
	PANOPTIC VISIONS OF LONDON: POSSESSING THE METROPOLIS [My Copy] Art History, Vol. 32, No. 2. (2009), pp. 332-350. by D. A. N. A. Arnold posted to art visual by rgscarter on 2009-04-06 18:02:55 as
	The alchemy of the photograph [My Copy] Visual Studies, Vol. 24, No. 1. (2009), pp. 66-70. by Mary Barr posted to memory photography visual by rgscarter on 2009-03-20 12:50:36 as
	The doorstep portrait: intrusion and performance in mainstream American documentary photography [My Copy] Visual Studies, Vol. 24, No. 1. (2009), pp. 3-18. by Didier Aubert posted to photography visual by rgscarter on 2009-03-15 21:09:39 as
	The promise of `makeability': digital editing software and the structuring of everyday cinematic life [My Copy] Visual Communication, Vol. 8, No. 1. (1 February 2009), pp. 5-22. by Marc Furstenau, Adrian Mackenzie posted to communication digital visual by rgscarter on 2009-01-28 15:00:59 as
	In a Paradoxical State: The Role of Television in Canada [My Copy] Review of Communication, Vol. 9, No. 1. (2009), pp. 39-41. by Carlnita P. Greene posted to communication media visual by rgscarter on 2009-01-15 21:27:57 as
	Iconic Images and the Visual Public Sphere [My Copy] Review of Communication, Vol. 9, No. 1. (2009), pp. 72-75. by Christina Smith posted to communication visual by rgscarter on 2009-01-15 21:27:29 as
	A fascinating spectacle of inconsistencies: Eroticism in the Nazi era [My Copy] European Journal of Cultural Studies, Vol. 6, No. 1. (1 February 2003), pp. 95-116. by Matthias Marschik posted to culturalstudies photography visual by rgscarter on 2008-12-02 16:02:37 as
	There Are No Visual Media [My Copy] Journal of Visual Culture, Vol. 4, No. 2. (1 August 2005), pp. 257-266. by Mitchell posted to theory visual by rgscarter on 2008-12-02 15:35:42 as along with 2 people phillipsem anajemstaht
	(In)visible evidence: pictorially enhanced disbelief in the Apollo moon landings [My Copy] Visual Communication, Vol. 7, No. 2. (1 May 2008), pp. 229-251. by David D. Perlmutter, Nicole S. Dahmen posted to photography visual by rgscarter on 2008-12-02 14:46:04 as
	Seeing Differently: From Antonioni's Blow Up (1966) to Shezad Dawood's Make It Big (2005) [My Copy] Journal of Visual Culture, Vol. 7, No. 2. (1 August 2008), pp. 181-203. by Amelia Jones posted to art visual by rgscarter on 2008-12-02 14:41:23 as
	Selling stereoscopy, 18901915: Penny arcades, automatic machines and American salesmen [My Copy] Early Popular Visual Culture, Vol. 6, No. 3. (2008), pp. 239-255. by John Plunkett posted to photography visual by rgscarter on 2008-11-24 14:41:31 as
	Reasons for Looking: Lopes on the Value of Pictures [My Copy] Philosophy and Phenomenological Research, Vol. 77, No. 2. (2008), pp. 556-569. by Robert Hopkins posted to visual philosophy by rgscarter on 2008-09-04 14:57:35 as
	Visual Studies and the Iconic Turn [My Copy] Journal of Visual Culture, Vol. 7, No. 2. (1 August 2008), pp. 131-146. by Keith Moxey posted to visual by rgscarter on 2008-08-25 15:12:17 as along with 3 people rhizome jstuart1031 kaniko

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photography	207
archives	62
digital	57
theory	48
visual	37
media	36
history	28
law	26
art	24
memory	24
war	22
heterotopia	20
sociology	18
philosophy	17
communication	15
culturalstudies	14
evidence	13
literature	13
fashion	9
museumstudies	9
feminism	8
geography	8
tourist	7
medicine	7
film	6
library	6
religion	6
anthropology	6
architecture	5
silence	4
holocaust	4
genderstudies	4
politics	4
videogames	4
materialculture	3
hybridity	2
representation	1
indexing	1
unsure-tocheck	1
cosmopolitanism	1
myth	1
justice	1
performingarts	1

rgscarter's visual [37 articles] Export

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