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rgscarter's visual [41 articles]

 
Recent papers added to rgscarter's library classified by the tag visual. You can also see everyone's visual.
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Comic book visualities: a methodological manifesto on geography, montage and narration
 
Material beings: objecthood and ethnographic photographs -
 
Women and Visual Depictions of the U.S.-Iraq War in Print and Online Media
 
As if: Situating the Pictorial Turn
 
Hope you will be able to recognise us: the representation of women and gardens in early twentieth-century British domestic real photo postcards
 
When Sailors Kiss: Picturing Homosexuality in Post-World War II America
 
Obama as Icon
 
Obama and Shepard Fairey: The Copy and Political Iconography in the Age of the Demake
 
Obama on Flickr
 
News Images as Lived Images: Media Ritual, Cultural Performance, and Public Trauma
 
It's only a picture: sexting, smutty snapshots and felony charges
 
Body horror on the internet: US soldiers recording the war in Iraq and Afghanistan
 
What Is an Image?
 
Dislocated Narratives and Sites of Memory: Amateur Photographic Surveys in Britain 18891897
 
Photography and the art of science
 
Is a photograph worth a thousand films?
 
Phototextuality: photography, fiction, criticism
 
The imperialist lens: Du Camp, Salzmann and early French photography
 
MR LAWRENCES GREAT PHOTOGRAPHIC BAZAAR -- Photography, history and the imperial streetscape
 
MEN AND HORSES IN MOTION:Thomas Eakins and motion photography
 
SELLING SHADOWS AND SUBSTANCE -- Photographing Race in the United States, 18501870s
 
TRADITIONS OF COLLECTING AND REMEMBERING -- Gender, class and the nineteenth-century sentiment album and photographic album
 
THE GHOST STAMP, THE DETECTIVE AND THE HOSPITAL FOR BOOTS -- <i>Light</i> and the Post-War Battle Over Spirit Photography
 
Photography, vice and the moral dilemma in Victorian Britain
 
Photography, crime and social control
 
The optical stranger: Photographic anxieties in British periodical literature of the 1840s and early 1850s
 
Spirits, Apparitions, and Traditions of Supernatural Photography
 
Looking the Wrong Way: Authenticity and Proof of Religious Vision
 
PANOPTIC VISIONS OF LONDON: POSSESSING THE METROPOLIS
 
The alchemy of the photograph
 
The doorstep portrait: intrusion and performance in mainstream American documentary photography
 
The promise of `makeability': digital editing software and the structuring of everyday cinematic life
 
In a Paradoxical State: The Role of Television in Canada
 
Iconic Images and the Visual Public Sphere
 
A fascinating spectacle of inconsistencies: Eroticism in the Nazi era
 
There Are No Visual Media
 
(In)visible evidence: pictorially enhanced disbelief in the Apollo moon landings
 
Seeing Differently: From Antonioni's Blow Up (1966) to Shezad Dawood's Make It Big (2005)
 
Selling stereoscopy, 18901915: Penny arcades, automatic machines and American salesmen
 
Reasons for Looking: Lopes on the Value of Pictures
 
Visual Studies and the Iconic Turn
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