tcrueger's library 76 articles Export

	Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification [My Copy] Audio, Speech, and Language Processing, IEEE Transactions on In Audio, Speech, and Language Processing, IEEE Transactions on, Vol. 16, No. 6. (2008), pp. 1138-1151. by J. Serra, E. Gomez, P. Herrera, X. Serra posted to partial-synchronisation structure-analysis synchronisation by tcrueger on 2009-02-25 11:58:41 as
	Music Key Detection for Musical Audio [My Copy] In MMM '05: Proceedings of the 11th International Multimedia Modelling Conference (2005), pp. 30-37. by Yongwei Zhu, Mohan S. Kankanhalli, Sheng Gao posted to acoustic-features music tonality by tcrueger on 2009-02-08 20:24:21 as
	Adults and children processing music: An fMRI study [My Copy] NeuroImage, Vol. 25, No. 4. (1 May 2005), pp. 1068-1076. by Stefan Koelsch, Thomas Fritz, Katrin Schulze, David Alsop, Gottfried Schlaug posted to music musical-perception perception by tcrueger on 2009-02-08 20:00:21 as along with 1 group Music and ERPs
	Combining Features Extracted from Audio, Symbolic, and Cultural Sources [My Copy] In ISMIR (2008), pp. 597-622. by C. Mckay, I. Fuminaga posted to acoustic-features by tcrueger on 2009-02-08 19:58:15 as along with 1 group Music Information Retrieval - Audio Similarity and Retrieval
	The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree? [My Copy] In ISMIR (2008), pp. 255-260. by M. Sordo, O. Celma, M. Blech, E. Guaus posted to genre by tcrueger on 2009-02-08 19:57:11 as along with 1 group Music Information Retrieval - Audio Similarity and Retrieval
	High-Level Audio Features: Distributed Extraction and Similarity Search [My Copy] In ISMIR (2008), pp. 565-570. by F. Deliege, B. Y. Chua, T. B. Pedersen posted to acoustic-features by tcrueger on 2009-02-08 19:56:32 as along with 1 group Music Information Retrieval - Audio Similarity and Retrieval
	Temporal Integration for Audio Classification With Application to Musical Instrument Classification [My Copy] Audio, Speech, and Language Processing, IEEE Transactions on In Audio, Speech, and Language Processing, IEEE Transactions on, Vol. 17, No. 1. (2009), pp. 174-186. by C. Joder, S. Essid, G. Richard posted to instrument-classification by tcrueger on 2009-02-08 19:53:50 as
	Automatic Transcription of Melody, Bass Line, and Chords in Polyphonic Music [My Copy] Computer Music Journal, Vol. 32, No. 3. (August 2008), pp. 72-86. by Matti P. Ryynänen, Anssi P. Klapuri posted to transcription by tcrueger on 2009-02-05 17:12:12 as
	Parallels and Nonparallels between Language and Music [My Copy] Music Perception, Vol. 26, No. 3. (February 2009), pp. 195-204. by Ray Jackendoff posted to no-tag by tcrueger on 2009-02-05 17:03:55 as
	Audio Matching via Chroma-Based Statistical Features [My Copy] (September 2005), pp. 288-295. by Meinard Mueller, Frank Kurth, Michael Clausen edited by Joshua D. Reiss, Geraint A. Wiggins posted to acoustic-features audio-matching chroma by tcrueger on 2009-01-28 21:16:19 as along with 1 person kroger
	An Efficient Indexing and Search Technique for Multimedia Databases [My Copy] In SIGIR 2003 Workshop on Multimedia Retrieval (2003) by Michael Clausen, Heiko Körner, Frank Kurth posted to indexing multimedia retrieval by tcrueger on 2009-01-28 21:15:48 as along with 1 person klamma
	Cognitive Foundations of Musical Pitch [My Copy] (1990) by Carol L. Krumhansl posted to musical-perception by tcrueger on 2009-01-28 21:14:11 as along with 1 person cmunson
	The Cognition of Tonality - as We Know it Today [My Copy] Journal of New Music Research, Vol. 33, No. 3. (September 2004), pp. 253-268. by Carol Krumhansl posted to tonality musical-perception perception by tcrueger on 2009-01-28 21:12:53 as along with 2 people cmunson bcmayes
	Path-constrained Partial Music Synchronization [My Copy] In ICASSP (2008), pp. 65-68. by M. Muller, D. Appelt posted to partial-synchronisation synchronisation by tcrueger on 2009-01-28 21:09:33 as
	Emotional responses to music: experience, expression, and physiology [My Copy] Psychology of Music (15 October 2008), 0305735607086048. by Lars-Olov Lundqvist, Fredrik Carlsson, Per Hilmersson, Patrik Juslin posted to emotion musical-perception perception by tcrueger on 2009-01-28 21:03:59 as
	Learning a Metric for Music Similarity [My Copy] In ISMIR (2008), pp. 313-318. by M. Slaney, K. Weinberger, W. White posted to machine-learning music-similarity by tcrueger on 2009-01-28 21:01:56 as along with 1 group Music Information Retrieval - Audio Similarity and Retrieval
	Zipf’s Law, Music Classification, and Aesthetics [My Copy] Computer Music Journal, Vol. 1, No. 29. (2005), pp. 55-69. by Bill Manaris, Juan Romero, Penousal Machado, et al.Dwight Krehbiel, Timothy Hirzel, Walter Pharr, Robert B. Davis posted to no-tag by tcrueger on 2009-01-28 20:42:22 as
	Von der Poesie des Programmierens zur Forschung als Kunstform [My Copy] netzspannung.org In CODE -- The Language of our Times (2003) by Laurent Mignonneau, Christa Sommerer edited by G. Stocker, C. Schoepf posted to no-tag by tcrueger on 2009-01-28 20:42:22 as
	The Bayesian Way to Relate Rhythm Perception and Production [My Copy] Music Perception, Vol. 23, No. 3. (Februar 2006), pp. 269-288. by M. Sadakata, P. Desain, H. Honing posted to musical-perception perception rythm by tcrueger on 2009-01-28 20:42:22 as
	Synthesis of Quasi-Bandlimited Analog Waveforms Using Frequency Modulation /Draft, version 3/ [My Copy] by Peter Schoffhauzer posted to synthesis by tcrueger on 2009-01-28 20:42:22 as
	Subset-Class Relation, Common Pitches, and Common Interval Structure Guiding Estimations of Similarity [My Copy] Music Perception, Vol. 25, No. 1. (2007), pp. 1-11. by T. Kuusi posted to no-tag by tcrueger on 2009-01-28 20:42:22 as
	Representing Musical Genre: A State of the Art [My Copy] Journal of New Music Research, Vol. 32, No. 1. (2003), pp. 83-93. by J. J. Aucouturier, F. Pachet posted to genre by tcrueger on 2009-01-28 20:42:22 as
	Reduced Convex Hulls: A Geometric Approach to Support Vector Machines [My Copy] IEEE Signal Processing Magazine, Vol. 24, No. 3. (May 2007), pp. 119-122. by S. Theodoridis, M. Mavroforakis posted to no-tag by tcrueger on 2009-01-28 20:42:22 as
	Production and Perception of Musical Intervals [My Copy] Music Perception, Vol. 23, No. 4. (2006), pp. 331-344. by A. Vurma, J. Ross posted to musical-perception perception by tcrueger on 2009-01-28 20:42:22 as
	Playlist Generation Using Start and End Songs [My Copy] Proc. International Symposium on Music Information Retrieval (2008), pp. 173-178. by Arthur Flexer, Dominik Schnitzer, Martin Gasser, Gerhard Widmer posted to playlist-generation by tcrueger on 2009-01-28 20:42:22 as
	Müssen Medienkünstler programmieren können? [My Copy] netzspannung.org In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft (2004) by Georg Trogemann edited by Monika Fleischmann, Ulrike Reinhard posted to no-tag by tcrueger on 2009-01-28 20:42:22 as
	Music Similarity Measures: What's the Use? [My Copy] Proc. International Symposium on Music Information Retrieval (October 2002) by J. J. Aucouturier, F. Pachet posted to music-similarity by tcrueger on 2009-01-28 20:42:22 as
	Modeling Tonal Tension [My Copy] Music Perception, Vol. 24, No. 4. (2007), pp. 329-366. by F. Lerdahl, C. L. Krumhansl posted to musical-perception perception by tcrueger on 2009-01-28 20:42:21 as
	Modeling Perceived Emotion With Continuous Musical Features [My Copy] Music Perception, Vol. 21, No. 4. (Juni 2004), pp. 561-585. by E. Schubert posted to emotion musical-perception perception by tcrueger on 2009-01-28 20:42:21 as
	Melody Detection in Polyphonic Musical Signals Exploiting Perceptual Rules, Note Salience, and Melodic Smoothness [My Copy] Computer Music Journal, Vol. 30, No. 4. (2006), pp. 80-98. by R. P. Paiva, T. Mendes, A. Cardoso posted to musical-perception perception by tcrueger on 2009-01-28 20:42:21 as
	Kunst an der Schnittstelle von Technik, Forschung und Gesellschaft [My Copy] netzspannung.org In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft (2004) by Monika Fleischmann, Wolfgang Strauss edited by Monika Fleischmann, Ulrike Reinhard posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Joint Structure Analysis With Applications To Music Annotation And Synchronization [My Copy] Proc. International Symposium on Music Information Retrieval (2008), pp. 389-394. by Meinard Müller, Sebastian Ewert posted to synchronisation by tcrueger on 2009-01-28 20:42:21 as
	Inferring Descriptions and Similarity for Music from Community Metadata [My Copy] Proc. International Computer Music Conference (2002), pp. 591-598. by B. Whitman, S. Lawrence posted to music-similarity by tcrueger on 2009-01-28 20:42:21 as
	Improving Spectral Analysis Precision with an Enhanced Phase Vocoder using Signal Derivatives [My Copy] Proc. Int. Conf. on Digital Audio Effects (1998), pp. 114-118. by S. Marchand posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Human Bodies, Computer Music [My Copy] Leonardo Music Journal (2002), pp. 11-14. by B. Ostertag posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Hit Song Science is Not Yet a Science [My Copy] Proc. International Symposium on Music Information Retrieval In Proceedings of the 9th International Conference on Music Information Retrieval (2008) by F. Pachet, P. Roy posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Finding repeating patterns in acoustic musical signals: [My Copy] AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio In Proceedigs of the AES 22nd International Conference on Virtual, Synthetic and Entertainment Audio (2002) by J. J. Aucouturier, M. Sandler posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Discrete Implementation Of The First Order System Cascade As The Basis For a Melodic Segmentation Model [My Copy] Proc. Int. Conf. on Digital Audio Effects (December 2001) by M. Serman posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	Digital Audio Emotions - An Overwiew Of Computer Analysis And Synthesis Of Emotional Expression In Music [My Copy] Proc. Int. Conf. on Digital Audio Effects (September 2008) by Anders Friberg posted to emotion by tcrueger on 2009-01-28 20:42:21 as
	Computational Modeling of Music Cognition: A Case Study on Model Selection [My Copy] Music Perception, Vol. 23, No. 5. (2006), pp. 365-376. by H. Honing posted to no-tag by tcrueger on 2009-01-28 20:42:21 as
	clustering music recordings by their keys [My Copy] Proc. International Symposium on Music Information Retrieval In Proceedings of the 9th International Conference on Music Information Retrieval (2008), pp. 319-329. by Arun Shenoy, Yuxiang Liu, Ye Wang, Wei H. Tsai, Lianhong Cai posted to tonality by tcrueger on 2009-01-28 20:42:21 as
	Chroma-based estimation of musical key from audio-signal analysis [My Copy] Proc. International Symposium on Music Information Retrieval In Proceedings from ISMIR 06: International Conference on Music Information Retrieval (2006), pp. 115-120. by Geoffroy Peeters posted to tonality by tcrueger on 2009-01-28 20:42:21 as
	Automatic Mapping of Scanned Sheet Music to Audio Recordings [My Copy] Proc. International Symposium on Music Information Retrieval In Proceedings of the 9th International Conference on Music Information Retrieval (2008), pp. 413-418. by Christian Fremerey, Meinard Müller, Frank Kurth, Michael Clausen posted to synchronisation by tcrueger on 2009-01-28 20:42:21 as
	Artificial Life Music Tells of Complexity [My Copy] ALMMA (2001), pp. 17-28. by E. Bilotta, P. Pantano posted to algorithmic-composition by tcrueger on 2009-01-28 20:42:21 as
	A Robust Algorithm For Partial Tracking Of Musical Signals [My Copy] Proc. Int. Conf. on Digital Audio Effects (2005), pp. 202-207. by Satar H. Boroujeni, B. Shafai posted to tracking by tcrueger on 2009-01-28 20:42:21 as
	An Investigation on the Perception of Musical Style [My Copy] Music Perception, Vol. 24, No. 5. (2007), pp. 417-432. by M. Storino, R. Dalmonte, M. Baroni posted to musical-perception perception by tcrueger on 2009-01-28 20:42:21 as
	A Music Database and Query System for Recombinant Composition [My Copy] Proc. International Symposium on Music Information Retrieval In Proceedings of the 9th International Conference on Music Information Retrieval (2008), pp. 75-80. by James B. Maxwell, Arne Eigenfeldt posted to algorithmic-composition by tcrueger on 2009-01-28 20:42:21 as
	A Large-Scale Evaluation of Acoustic and Subjective Music-Similarity Measures [My Copy] Computer Music Journal, Vol. 28, No. 2. (2004), pp. 63-76. by A. Berenzweig, B. Logan, D. P. W. Ellis, B. Whitman posted to acoustic-features music-similarity by tcrueger on 2009-01-28 20:42:21 as
	A Graph Topological Representation of Melody Scores [My Copy] Leonardo Music Journal, Vol. 12, No. 1. (2002), pp. 33-40. by P. Leonardo posted to no-tag by tcrueger on 2009-01-28 20:42:20 as
	Acoustic Features For Music Piece Structure Analysis [My Copy] Proc. Int. Conf. on Digital Audio Effects (September 2008) by J. Paulus, A. Klapuri posted to acoustic-features structure-analysis by tcrueger on 2009-01-28 20:42:20 as

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musical-perception	11
music	10
perception	10
acoustic-features	10
algorithmic-composition	5
music-similarity	4
tonality	4
synchronisation	4
semantics-of-music	3
descriptor-extractors	3
emotion	3
structure-analysis	3
eds	3
high-level-descriptors	3
genetic-programming	3
tracking	3
transcription	2
low-level-features	2
genre	2
partial-synchronisation	2
machine-learning	2
retrieval	1
mfcc	1
multimedia	1
descriptor-schemes	1
texture	1
synthesis	1
functional-language	1
chroma	1
sociology	1
context-theory	1
audio-matching	1
semantic-priming	1
neuroscience	1
construction-of-semantics	1
beat-detection	1
indexing	1
erp	1
melody	1
playlist-generation	1
n400	1
instrument-classification	1
aesthetics	1
dynamic-programming	1
rythm	1
musical-features	1
hmm	1
mpeg-7	1

tcrueger's library 76 articles Export

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