Contradictory Subjectivity: Movies, Apartheid, and Postmodernism

@article{citeulike:1994571, abstract = {Most of the author's writing and film/video making until the mid-1990s was couched within an antiapartheid, explicitly Marxist framework. But, like all individuals, he has his contradictions. These are derived from his class, eth nic, and racial determinations. This reflexive article negotiates the author's experiences during the apartheid and postapartheid eras, from modernism to postmodernism. This chapter examines some of these influences on his professional experience, teaching, and research. 10.1177/153270860100100201}, author = {Tomaselli, Keyan G.}, citeulike-article-id = {1994571}, doi = {10.1177/153270860100100201}, journal = {Cultural Studies Critical Methodologies}, keywords = {apartheid, flicker, of, the}, month = {May}, number = {2}, pages = {139--156}, posted-at = {2007-11-27 15:57:41}, priority = {3}, title = {Contradictory Subjectivity: Movies, Apartheid, and Postmodernism}, url = {http://dx.doi.org/10.1177/153270860100100201}, volume = {1}, year = {2001} }

TY - JOUR ID - citeulike:1994571 L3 - citeulike-article-id:1994571 N2 - Most of the author's writing and film/video making until the mid-1990s was couched within an antiapartheid, explicitly Marxist framework. But, like all individuals, he has his contradictions. These are derived from his class, eth nic, and racial determinations. This reflexive article negotiates the author's experiences during the apartheid and postapartheid eras, from modernism to postmodernism. This chapter examines some of these influences on his professional experience, teaching, and research. 10.1177/153270860100100201 IS - 2 JF - Cultural Studies Critical Methodologies EP - 156 TI - Contradictory Subjectivity: Movies, Apartheid, and Postmodernism VL - 1 SP - 139 KW - apartheid KW - flicker KW - of KW - the AU - Tomaselli, Keyan PY - 2001/05/01/ UR - http://dx.doi.org/10.1177/153270860100100201 ER -